Collection Conrad Critical Essay

Collection Conrad Critical Essay-15
We tried to turn away; but still Above we heard her sorrow thrill; And those that slept, they dreamed of ill And dreadful things: Of skies grown red with rending flames And shuddering hills that cracked their frames; Of twilights foul with wings; And skeletons dancing to a tune; And cries of children stifled soon; And over all a blood-red moon A dull and nightmare size.They woke, and sought to go their ways, Yet everywhere they met her gaze, Her fixed and burning eyes.

We tried to turn away; but still Above we heard her sorrow thrill; And those that slept, they dreamed of ill And dreadful things: Of skies grown red with rending flames And shuddering hills that cracked their frames; Of twilights foul with wings; And skeletons dancing to a tune; And cries of children stifled soon; And over all a blood-red moon A dull and nightmare size.They woke, and sought to go their ways, Yet everywhere they met her gaze, Her fixed and burning eyes.

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And through the night strange music went With voice and cry so darkly blent We could not fathom what they meant; Save only that they seemed To thin the blood along our veins, Foretelling vile, delirious pains, And clouds divulging blood-red rains Upon a hill undreamed.

And this we heard: "Who dies for me, He shall possess me secretly, My terrible beauty he shall see, And slake my body's flame.

The twelve essays included in this volume are written by eminent and emerging Conrad scholars from various corners of the world: the U. A., Canada, Australia, Singapore, South Africa, India, France and Turkey. They consist of empire, colonial trade, intercultural relationships, multilingualism, gender politics, colonial desires, hybridity and race politics, Conrad’s relation to Asian religions and philosophies, his negotiation of Orientalist and Occidentalist discourses, and the issues of otherness, ethics and alterity.

Wide ranging are also the volume’s critical approaches.

All the chapters combine close textual readings with elaborate theoretical approaches drawing on Mikhail Bakthin, Jacques Derrida, Gilles Deleuze, Georges Bataille and Emmanuel Levinas among others.

Their overall aim is to highlight the extent to which Conrad’s aesthetic and ideological relation to the East is enmeshed in British imperial politics and commercial interests in Southeast Asia.

Although Conrad and Jung were not contemporaries, one could see striking resemblances between the theories proposed by them.

Indeed, Conrad preceded Jung by a generation, yet there are strong analogues to Jungian Psychology to be witnessed in the works of Conrad, most accessible in the novella The Heart of Darkness.

The essays adopt a variety of critical and methodological perspectives – socio-political, anthropological, philosophical, postcolonial, poststructuralist, historical, and linguistic – in order to illuminate the richness, complexity and multi-dimensional character of Conrad’s work.

Overall, these compelling approaches enlighten Conrad’s deep engagement with the East, not only as a crucial source of fictional material, but also as a polyphonic discursive space, a cultural and racial Other, an ideological construct, and a site of Western struggle for global commercial hegemony and native anti-colonial resistance.

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