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They are 2-dimensional representations of the same scene described in Greek mythology, both from the same artistic tradition.Both works were produced in the same medium (though using a slightly different technique), and at approximately the same period of Greek Art.The head of the Achilles is turned, but there are no signs of the twisting of the body or neck.
Vessel borders and edges were often decorated with floral, lotus, and palmette designs.
Certain colour conventions were adopted such as white for female flesh, black for male.
Another striking feature of the style is the lack of literal naturalism.
Figures are often depicted with a profile face and frontal body, and runners are in the impossible position of both left (or right) arms and legs moving forward.
Other conventions were an almond shape for women’s eyes, circular for males, children are as adults but on a smaller scale, young men are beardless, old men have white hair and sometimes stoop, and older women are fuller-figured.
Some gestures also became conventional such as the hand to the head to represent grief.
The human figures on the Exekias black figure amphora are rigid, angular and strictly two dimensional.
They are depicted in full profile, with a frontal chest and profile legs.
The pottery vessels are also an important tool in determining the chronology of ancient Greece.
Evolving from the earlier geometric designs on pottery, the black-figure technique depicted animals (more favoured in Corinth) and human silhouette figures (preferred in Athens) in naturalistic detail.